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J.S. Bach
Gottes Zeit ist die allerbeste Zeit, Actus Tragicus, J.S. Bach, BWV 106, sonatina 1.
SDG
2:28 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 16 0 3 2 100%
Bass 16 0 3 2 100%
Alto
Recorder
I		 Treble 12 0 2 5 100%
Alto
Recorder
II		 Treble 13 0 3 5 100%
Bass
Recorder		 Bass 13 0 2 4 100%
Bassoon Bass 16 0 3 2 100%
Tenor
Recorder		 Treble 11 0 1 4 100%
Violoncello Bass 16 0 3 2 100%
 
Minuet in G Minor, from Anna Magdalena Notebook
edlemjulve
1:48 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violín Treble 15 0 3 5 100%
Treble 15 0 3 4 100%
Violonchelo Bass 14 0 3 4 100%
 
15. Allein zu dir, Herr Jesu Christ, J.S. Bach, BWV 261, Choral Gesänge, Breitkopf.
Gertim
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 4 100%
Tenor/Bass Bass 20 0 7 5 100%
 
48. Liebster Herr Jesu, wo bleibst du so lange. Schemelli, J.S. Bach, BWV 484.
SDG
1:19 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 3 4 100%
T A Bass 21 0 6 4 100%
 
232. Lobet den Herren, denn er ist sehr freundlich. BWV 374.
SDG
1:06 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 7 100%
Tenor/Bass Bass 22 0 5 7 100%
Contrabass Bass 15 0 3 4 50%
 
190. Jesu, du mein liebstes Leben. BWV 356.
SDG
1:42 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 19 0 3 4 100%
Contrabass Bass 15 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 19 0 3 4 100%
Contrabass Bass 15 0 3 4 50%
 
155. Herzlich lieb hab ich Dich, o Herr. BWV 149/7.
SDG
1:24 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 6 100%
Tenor/Bass Bass 20 0 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 3 6 100%
Tenor/Bass Bass 20 0 7 6 100%
Contrabass Bass 16 0 5 5 50%
C
Trumpet		 Treble 7 5 0 3 10%
 
173. Hilf, Herr Jesu, lass gelingen. BWV 344.
SDG
0:53 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 16 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 16 0 4 4 50%
 
221. Komm, heiliger Geist, Herre Gott (Du heilige Brunst, süsser Trost). BWV 226/2
SDG
1:14 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 17 0 5 6 100%
Contrabass Bass 13 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 5 100%
Tenor/Bass Bass 17 0 5 6 100%
Contrabass Bass 13 0 3 3 50%
 
J.S. Bach: Mass in B Minor, BWV 232: VIII. Confiteor - IX. Et expecto
Samuel Ricke
8:45 Est. Play
Time
251 Measures
5,309Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 21 2 9 5 98%
Bass 33 4 14 6 100%
View all 21 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 21 2 9 5 98%
Bass 33 4 14 6 100%
Continuo. Bass 25 0 9 4 100%
Fagotti. Bass 25 0 9 4 100%
Violone. Bass 25 0 9 4 100%
Alto. 22 0 10 5 90%
Soprano
II.		 20 0 7 5 88%
Tenore. 20 0 9 5 87%
Soprano
I.		 21 0 8 5 87%
Basso. Bass 21 0 8 6 75%
Flauto
traverso
I.		 Treble 18 0 1 3 35%
Flauto
traverso
II.		 Treble 17 0 3 3 34%
Oboe
I.		 Treble 17 0 2 4 32%
Viola. 19 0 4 3 32%
Oboe
II.		 Treble 13 0 1 3 31%
Violino
II.		 Treble 16 0 1 3 31%
Violino
I.		 Treble 19 0 2 4 31%
Tromba
I.		 Treble 12 0 1 5 24%
Timpani. Bass 3 0 0 3 24%
Tromba
II.		 Treble 10 0 1 5 21%
Tromba
III.		 Treble 6 0 0 4 20%